Mom says a white deer means blood is coming. When I sleep, the forest floor is a lake of red, no matter if the deer are white or brown. A gunshot sounds.
And it was ordinary, that year, / when the artillery fired blanks, / and the glass hail panicking / the crowd vanished / where it landed, / and there was no hail, / but only the prosody of sleet.
Three shades of afternoon light—gluttonous— / Salt me when I open the door / I wasn’t expecting it / Marigold mouths pout / Fresh leaves threaded to greet newcomers / What a betrayal then, to curdle with sweetness!
It’s approaching midnight and this is not how I would have wanted it to happen: sitting by myself on my porch, drinking wine from the bag of a box and chain-smoking cigarettes...
and the tour guide said what a shame how awful the heroin in Kensington but we would not be focusing on that today because this was an African American Iconic Hero tour and she smiled beatifically at the Black couple and the Black couple only...
Mom says a white deer means blood is coming. When I sleep, the forest floor is a lake of red, no matter if the deer are white or brown. A gunshot sounds.
Our boys didn’t come home to the swamp after fighting the North, but James did. He came back with a phantom limb, believing he could feel the clench of the muscles that had been amputated in a surgical tent, bloody saws and chloroform rags and dirty knives.
Late one night in April 2006, I heard an unexpected knock on my bedroom door. I lived at the time with a loose coalition of punks, anarchists, hippies, and nondenominational nonconformists in a squatted block of flats, across from rumbling tracks, in a working class suburb of Barcelona, Spain.
Who called Mirrellez C. Elliott and told her that her son had died in police custody? How many minutes did it take for the police to drive De’Sohn from where he was arrested in New Haven to the police station at One Union Avenue?
I let him stand there for a few minutes, waving his arms while he rambled on about the wonderful days of our youth. When he finally fell silent, I told him that I had no idea who he was.
By the base of his steps, there was a flower pot with a sad, half-dead plant. She lifted the thing. Felt the small force of its weight against her. Stupid, she knew. But she was a container brimming over. And she needed to let something go.
At 1am, 2am, the across-the-road-guy decides to start shooting stuff. Cans or nothing maybe. Ten shots each time. After each ten you think he's all out.…
As a Californian, Daniel Gumbiner has thought a lot about the aftermath of disaster. What happens long after the emergency workers and news cameras have gone home?