People are afraid of my memory and they should be.

We had been sent out of the house to collect turnips. I was thirteen and Yukari was ageless, I thought then, as anyone above twenty-five seemed ageless to me...

A scatter of crows came to me / and I could not refuse them

as i hover above myself thinking about our fathers / how they were ushered from the least to best known borough / how they were fed so soberly into the moloch’s mouth

Being queer comes with responsibilities: the pressure to be more steadfast in my convictions than my straight friends, to reinvent relationship models, family structures, kinship networks even if it means disappointing my parents by depriving them of a marriage ceremony and grandchildren, even if it means my life might never feel all that stable, even if I find it all somewhat exhausting.

My father / carried me often like a dead deer // on his shoulders up the stairs to bed, / my arms and legs gripped before his body, // my fallen neck bobbing

We’re Facetiming from our apartments. I’m up in Inwood, happy that my housemates aren’t home but anxious they might return and overhear our conversation. Angie is in Carroll Gardens where she lives with her boyfriend Kyle, but she’s moving soon because her parents are closing on an apartment for her in Fort Greene. Whenever I express jealousy about this, Angie says it won’t really be her apartment because it’s an investment. Yes, I think. An investment you will inhabit and then inherit.

Ever since Ramona debuted her prosthetic leg at school, she’s walked the school halls with her head a little higher.

In her newest collection The Last Catastrophe, Allegra Hyde tracks ideas of  apocalypse and collective action from an intergalactic finishing school to…

I swear / he yelled at me like I had plans / to set the field on fire in my sports bra

Days I can’t feel you, I dive my body / into the deep end, pluck golden leaves / from the silty bottom, nearly drown

Jai Chakrabarti’s fiction has a striking orality to it, a tone that emanates from his characters’ psyche and subtly permeates an entire story. On a 2022…

With their hands clasped and knuckles squeezed white, the newlyweds descended the church steps. Flashing cameras froze the tossed rice in midair. Later that day at the crime scene, when the detective was handed the photos he could hear the grains clatter to the pavement.

Either way, whatever the city’s doing, it’s enough to change the color of the sky to this bone-white dome, the color of talc, and if they can take the blue out of the sky, they can take something from me. But it’s weird, not knowing what.

In his award-winning debut memoir When They Tell You to Be Good, author and activist Prince Shakur vividly captures and decodes lived experiences that…

I’d always wanted this, I just didn’t know / to give it a / name.

I’m on the moon / your favorite place, how encouraged you were I left / my safety stars

The shoebill pesters its mother for a drink, says David Attenborough.

She’s always opening up / spaces in me.

When I ask him what his favorite kinds of pretzels are, he says rods. I tell him those are better than sourdough, but nothing beats traditional. He asks me how I define “traditional” and before I answer he tells me it’s subjective, that it doesn’t matter anyways.

Time can mean grace for survivors of sharp ends. Like, how one afternoon, god meant finding your eyes. I’m trying to say thank you for teaching me how to quit arching away from the glass, how to lean in.

I can’t write about breasts without thinking of damselflies stinging the surface of water.

The violinist made a little speech. “All music,” he said, “concerns life and living.”

The summer my grandmother’s fugues started, my mom was working two jobs, one as a nurse at St. Joseph’s Hospital and another as a freelance secretary in a small translation house that sent her home with complimentary poetry collections that she read late at night by the weak light in the kitchen.

I drank the creek water until my eyes, until my eyes were prayers too.

Music was serious to me — and so was anger.

The dogs are bored. The children are bored. I was never / a child

The central event of the first story in Giada Scodellaro’s debut collection, “The Cord,” is so shocking that I’ve been thinking about it for days.

The book of Ezekiel opens / with a windstorm.

Every Sunday, I practice saying no in three languages.

I birthed her. And when I think back it is like / a nearly drowned head cutting the water’s surface.

I don’t ask anyone to pray for me

When I ask him what his favorite kinds of pretzels are, he says rods. I tell him those are better than sourdough, but nothing beats traditional. He asks me how I define “traditional” and before I answer he tells me it’s subjective, that it doesn’t matter anyways.

In the early ’80s, I wrote Samuel Beckett a letter. I explained that I was trying to write, adding that he was probably often sought out by strangers,…

The spindly stalks creep out from the nexus of the composition like arachnid extremities. The pronounced compression of space pushes the roughly hewn roots into the forefront for the beholder’s contemplation. The sharp points and scraggly edges of the root system prevent easy entrance into the scene. Oller creates a kind of coconut Noli me tangere: we may look, but not touch.

Buried on the side of I-20, covered in red maples: the Pro-Life Memorial in St. Joseph, Iowa. A stretch of fenced-in earth, speared with a thousand tiny crosses for all the aborted “children” since 1973—